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A new novel by the master of Iranian letters that directly engages politics in Iran today
Ten years in the writing, this fearless novel—so powerful it’s banned in Iran—tells the stirring story of a tortured people forced to live under successive oppressive regimes.
It begins on a pitch black, rainy night, when there’s a knock on the Colonel’s door. Two policemen have come to summon him to collect the tortured body of his youngest daughter. The Islamic Revolution is devouring its own children. Set over the course of a single night, the novel follows the Colonel as he pays a bribe to recover his daughter’s body and then races to bury her before sunrise.
As we watch him struggle with the death of his innocent child, we find him wracked with guilt and anger over the condition of his country, particularly as represented by his own children: a son who fell during the 1979 revolution; another driven to madness after being tortured during the Shah’s regime; a third who went off to martyr himself fighting for the ayatollahs in their war against Iraq; one murdered daughter, and another who survives by being married to a cruel opportunist.
An incredibly powerful novel about nation, history and family, The Colonel leaves no taboo unbroken.
"Iran's greatest writer."
—The Millions
“Dowlatabadi combines the poetic tradition of his culture with the direct and unembellished everyday speech of the villages. With this highly topical new novel Mahmoud Dowlatabadi, Iran’s most important novelist, sheds light on the upheavals, which haunts his country until today.”
—Man Asian Literary Prize nomination citation
"A demanding and richly composed book by a novelist who stands apart."
—Kirkus Reviews
“It’s about time everyone even remotely interested in Iran read this novel.”
—The Independent
“An outstanding master achievement.”
—Der Spiegel
“The Colonel is a page-turning panorama of Iranian mental anguish, producing visions and nightmares like dark exotic blossoms.”
—Neue Zurcher Zeitung
“This novel has what it takes to become a strong and irresistible window into Iran.”
—Die Zeit
“…a very powerful work."
—Michael Orthofer, The Complete Review
“Because of its honesty and indeed brutal clarity of language the novel has so far not been published in its original language, Persian…[an] honest and truly literary account.”
—English Pen